Subtitles, games and brand campaigns
adapted, not translated

If the content is meant to land emotionally, yes. Machine output handles literal meaning but consistently misses register, humour and idiom — the parts an audience actually responds to. It also does not respect reading-speed limits, so lines end up technically correct and unreadable at playback speed.

Yes. Character budgets are treated as part of the brief rather than something discovered at QA. Placeholders and variables are preserved, and where a target language simply runs longer than the source we flag it early instead of silently overflowing your layout.

A style guide and termbase are established at the start and enforced across every subsequent batch, and that asset carries forward between releases. For ongoing series and live operations this is the difference between a voice that holds and one that drifts.

Angel Global (L4) — our publication-grade tier for film, games, manga and brand campaigns. Creative work is not routed through the lighter tiers, because the failure mode here is not inaccuracy but flatness, and flatness passes an accuracy check.

For creative and brand work, yes — judging whether something lands requires being inside the target culture, not merely fluent in the language. Angel Translation works with a network of 5,000+ specialists across 230+ languages.